Diagramming Irréversible
نویسنده
چکیده
The explorations of individual films that have previously appeared in these pages have quite rightly sought to associate themselves with wider social issues, with the craft of filmmaking and with the vocation of the filmmaker; thereby positioning the film within a wide range of socio-cultural issues. It’s with a certain trepidation, then, that I dedicate the entirety of this piece to the study of a single director (Gaspar Noé) and a single film (2002’s Irréversible): the risk is run, not merely of looking a little out of place, but also, of appearing oblivious to the constellation of contextual factors which renders this (and any) film relevant. Nonetheless, in order to trace the internal logic of this complex and wilfully perplexing work, such singleness of purpose is, in this case, necessary, and by using the provisional construct of the diagram to chart the outline of the filmic process without reducing the film to a single interpretation, I hope that what follows initiates rather than forecloses discussion.
منابع مشابه
Agrégation Irréversible Par Patchs De Particules Colloïdales. Une Étude Par Simulation Numérique Thèse
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